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Gatefold

Gatefold began within the 2015–2016 Extended Type@Cooper Program in New York City. Exploring a variety of parameters, Gatefold slowly took shape on paper and has been expanded upon for nearly two years. Here we are six styles later with plenty of room to expand upon.

An elegant display typeface designed for editorial usage to showcase its sharp brush-like terminals, tall x-height and delicate serifs.

Features Include:

Fractions, slashed zero, stylistic alternates, ligatures, discretionary ligatures, and swash capitals.

Supports nearly 200 languages including: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Vietnamese, Zulu and many many more.

Designer

Scott Biersack

Specimen PDF

License Information

Purchase Gatefold

3500

Gatefold / Book

Gatefold / Book Italic

Gatefold / Medium

Gatefold / Medium Italic

Gatefold / Demibold

Gatefold / Demibold Italic

Colophon

The navigation, titles, body copy and beyond are all set in Sanomat Sans, designed by Commercial Type. Glyphs and Robofont were put to work to create our b-e-a-utiful typefaces. And of course, Adobe Illustrator, Photoshop, and InDesign were used in the creation of this site, specimens, images and everything else your eyeballs gaze upon.

The foundry is hosted on this little thing called the World Wide Web and designed by the homie, Ben Jackson. Last but not least, special shout outs to the SF and NY Type@Cooper programs for teaching us right from wrong. We would be stranded on an island without the help of these glorious people: Cara di Edwardo, James Edmondson, Frank Grießhammer, Tânia Raposo, Stéphane Elbaz, Sumner Stone, Christian Schwartz, Berton Hasebe and many more.